Carl Larsson
A Sweden Museum


Carl Larsson's Oil Paintings
Carl Larsson Museum
May 28, 1853–January 22, 1919. Swedish painter.
Carl Larsson

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Vincent Van Gogh
Bloaters on a Piece of Yellow Papers
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ID: 98068

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Vincent Van Gogh Bloaters on a Piece of Yellow Papers


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Vincent Van Gogh

Dutch Post-Impressionist Painter, 1853-1890 Vincent Willem van Gogh (30 March 1853 ?C 29 July 1890) was a Dutch Post-Impressionist artist. Some of his paintings are now among the world's best known, most popular and expensive works of art. Van Gogh spent his early adult life working for a firm of art dealers. After a brief spell as a teacher, he became a missionary worker in a very poor mining region. He did not embark upon a career as an artist until 1880. Initially, Van Gogh worked only with sombre colours, until he encountered Impressionism and Neo-Impressionism in Paris. He incorporated their brighter colours and style of painting into a uniquely recognizable style, which was fully developed during the time he spent at Arles, France. He produced more than 2,000 works, including around 900 paintings and 1,100 drawings and sketches, during the last ten years of his life. Most of his best-known works were produced in the final two years of his life, during which time he cut off part of his left ear following a breakdown in his friendship with Paul Gauguin. After this he suffered recurrent bouts of mental illness, which led to his suicide. The central figure in Van Gogh's life was his brother Theo, who continually and selflessly provided financial support. Their lifelong friendship is documented in numerous letters they exchanged from August 1872 onwards. Van Gogh is a pioneer of what came to be known as Expressionism. He had an enormous influence on 20th century art, especially on the Fauves and German Expressionists.  Related Paintings of Vincent Van Gogh :. | The Baby Marcelle Roulin (nn04) | Flowering Orchards | Les Arenes | The Banks of the Seine (nn04) | The Old Mill (nn04) |
Related Artists:
IBBETSON, Julius Caesar
English Painter, 1759-1817 English painter, printmaker and writer. The son of a clothier, he was apprenticed to John Fletcher, a ship painter in Hull; in 1775 Ibbetson became a scene-painter there. In 1777 he moved to London, where he worked as a scene-painter and picture restorer. He married about three years later. From 1785 he exhibited landscapes, genre scenes and portraits at the Royal Academy. In 1787-8 Ibbetson was personal draughtsman to Col. Charles Cathcart on the first British Mission to Beijing, a voyage that included visits to Madeira, the Cape of Good Hope and Java. His watercolour False Bay, Cape of Good Hope (London, V&A), made on this journey, shows a picturesque roughness of foliage and rustic staffage adapted from his English landscape style. Cathcart's death forced Ibbetson to return to England (he exhibited an oil painting, untraced, of the Burial of Col. Cathcart in Java at the Royal Academy in 1789); thereafter he lived by painting landscape oils and watercolours, the subjects culled from his frequent tours. He painted occasional portraits throughout his career (e.g. Young Man, 1790; Leeds, Temple Newsam House) and contributed to John Boydell's Shakespeare Gallery (e.g. Scene from 'The Taming of the Shrew', untraced, see Waterhouse, p. 192). In 1789 he stayed with John Stuart, 3rd Earl of Bute, at Cardiff Castle and visited the Isle of Wight in 1790. In 1792 he toured Wales and the surrounding area with the painter John 'Warwick' Smith and his companion Robert Fulke Greville, resulting in the publication of his book of engravings, A Picturesque Guide (1793). His oil painting of Aberglasyn: The Flash of Lightning (Leeds, C.A.G.) evokes the sublimity of the mountainous Welsh terrain; the drama of the storm over Aberglasyn is conveyed by thick impasto and strong chiaroscuro, a way of handling paint that Ibbetson learnt from copying 17th-century Dutch masters while working for a London dealer named Clarke during the late 1770s and early 1780s.
Cornelis van Dalem
1535-1576 Dutch Cornelis van Dalem Location Flemish painter. He was the son of a well-to-do cloth merchant living in Antwerp, but of Dutch origin. Cornelis received a humanistic education. His father, who owned land in Tholen, as a vassal to the Counts of Holland and Zeeland, was dean of the chamber of rhetorics De Olijftak (The Olive Branch) in Antwerp in 1552-3. According to van Mander, Cornelis was himself learned in poetry and history and only painted as an amateur, not for a living. Documents in the Antwerp archives invariably refer to him as a merchant, never as a painter, which no doubt accounts for the small number of known paintings by him. He learnt to paint with an otherwise unknown artist, Jan Adriaensens, who had also taught his older brother Lodewijk van Dalem ( fl 1544-85). The latter was inscribed as a pupil in 1544-5 and became a master in the guild in 1553-4. Cornelis was himself inscribed a year after his brother, and he became a master in 1556, the same year he married Beatrix van Liedekercke, a member of an Antwerp patrician family. They lived in Antwerp until late 1565, when, apparently for religious reasons, they left for Breda, together with the artist mother, who had become a widow in 1561. In 1571 several local witnesses testified that van Dalem, who was then living in a small castle, De Ypelaar, in Bavel, near Breda, was strongly suspected of being a heretic. He was never seen in church and was said, on the contrary, to have often attended Protestant services and to have publicly expressed contempt for Papists.
Charles Howard Hodges
(1764, Portsmouth - July 24, Amsterdam), was a British painter active in the Netherlands during the French occupation of 18th and early 19th century. Charles Howard Hodges had visited Amsterdam in 1788; after a two-year stay in Dublin, he moved with his family to The Hague in 1792. In Amsterdam, he worked as an artist, specialized in the mezzotint technique and pastel. In 1797, he and his family moved to Amsterdam, where he lived with his teacher Johann Friedrich August Tischbein at the Prinsengracht Ne 205. There, he became a famous painter of portraits; he painted over 700 portraits of the rich and famous of that time. He was also an engraver, printer, art dealer and a member of the Amsterdam art club Felix Meritis. He is well-known for the fact that he painted all the leaders of the Netherlands during the Napoleonic Period, -a turbulent period in Dutch history, since the Netherlands went through 5 different political systems: stadtholder Willem V of the Republic of the United Netherlands, Grand Pensionary Rutger Jan Schimmelpenninck of the Batavian Republic, King Louis Bonaparte (King of Holland), Emperor Napoleon Bonaparte and king William I of the Netherlands. The only known portrait of Sebald Justinus Brugmans was made by him. A design for the honorary cross of the Order of the Union was rejected by Louis Bonaparte. Hodges advised the Dutch government in 1815 with the return of thousands of works of art, which were confiscated by the French in 1795 from several collections, including the Gallery of Prince William V (the first museum open to the public in the Netherlands), and the several collections of the previous stadtholders. Not all the stolen art was returned from Paris, and it is said that several pieces are still held in the Louvre up to this day. Most of the over 700 portraits by Hodges are made in the early 19th century, the earlier works in pastel, and later work in oil paint. Several of these portraits can be found in the Rijksmuseum in Amsterdam, in museums and castles and in royal and private collections. Charles Howard Hodges was father and teacher to James Newman Hodges, een lesser painter who worked in the Rijksmuseum when it was still located in the Trippenhuis in Amsterdam.






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